My #1 Workflow Saver: Why Timecode & 32-Bit Float Audio Are Non-Negotiables for Wedding Videography
If you’ve ever filmed a wedding, you already know—it’s beautiful, it’s chaotic, and everything happens fast. One moment you're filming a first look, and the next, you’re sprinting to mic up the groom before the vows start 10 minutes early.
Early on in my career, I learned the hard way: if your workflow isn't solid, post-production will eat you alive. That's why I’m sharing what’s become the foundation of my entire wedding workflow—timecode and 32-bit float audio.
This is the gear that saves me hours of editing time, reduces stress, and helps me deliver polished films faster. If you're looking to step up your wedding game and save your sanity in post, read on.
Timecode: The Syncing Solution You Didn’t Know You Needed (But You Do)
Timecode is a total game-changer—especially for weddings where you’re juggling multiple cameras, audio sources, and zero room for error. With timecode, you can sync all your audio and video tracks instantly in post, with a single click. No more dragging waveforms, no more guessing which audio clip matches which angle. It just works.
I use:
4x Deity TC-1s
3x Deity PR-2 lavaliers with built-in timecode
They sync beautifully with each other, and once you’re locked in, you don’t have to worry about sync issues—even during long ceremonies or moving between multiple locations. If you’ve ever lost sync on vows or speeches, you know how brutal it is. With timecode, that stress disappears.
Yes, it’s an investment, but if you’re doing this full-time (or aiming to), it’s 100% worth it.
32-Bit Float Audio: Your New Best Friend on Loud or Unpredictable Days
Here’s the other half of the equation: 32-bit float audio.
Weddings are unpredictable. People whisper during vows and shout during toasts. If you’re stuck recording in traditional formats, clipped or muddy audio is just part of the job.
But with 32-bit float? You have headroom for days. Even if the levels peak or dip, you can fix it in post—without distortion. It’s basically the cheat code for clean wedding audio.
My go-to recorder right now is the Tascam FR-AV2. It’s compact, it records in 32-bit float, and the audio quality is top-tier. The only thing to note: it doesn’t have built-in timecode. But here’s what I do...
I attach a Deity TC-1 to the FR-AV2 to feed it timecode. Once paired, it stays perfectly in sync with my other cameras and audio recorders. I usually run a Deity PR-2 lav mic into the FR-AV2, and with that combo, I’ve got crystal-clear, fail-safe audio—locked in timecode—for the entire day.
Real Talk: Why This Setup Saves You in Post
Before I started using timecode and 32-bit float audio, I spent hours—and I mean hours—trying to manually align clips and fix blown-out audio. And when you're editing full wedding days week after week, that adds up fast.
Now? I sync everything with a button, clean up any crazy audio moments in post, and spend more time focusing on storytelling instead of technical fixes.
If you’re shooting weddings seriously, I highly recommend making this investment in your workflow. It’s not just about gear—it’s about saving your time, your mental energy, and delivering a better product.
What I Use (and Where You Can Get It)
Deity TC-1 (x4): [Perfect for syncing cams, recorders, etc.]
Deity PR-2 (x3): [Lavs with built-in timecode, solid battery life, great range]
Tascam FR-AV2: [Compact 32-bit float recorder; pair it with a TC-1 and you’re golden]
You can find all of these on B&H or Amazon. And no, I’m not sponsored—I just genuinely believe this setup will save you time, headaches, and client revisions.
Final Thoughts
Timecode and 32-bit float aren’t flashy—they’re not a new camera or a drone—but they’re the backbone of a reliable, professional wedding workflow. When you can count on your sync and your sound, you’re free to focus on what really matters: capturing emotional, story-driven moments that your couples will cherish forever.
